This workshop is full and in session.
The next registration opens December 9th at 9am (Pacific Time).
In September 2004 Maiwa launched its Maiwa School of Textiles. The school has become a place where knowledge is shared, techniques perfected and students, makers, educators and cultures meet.
TANNINS OXIDES & INDIGO
This groundbreaking workshop will lead students through a number of projects on silk, cotton, linen, wool, and paper. Through contact printing, immersion baths, bundling and binding techniques, and the magic of indigo, this workshop will explore new, uncharted territory on textiles.
In this workshop students will rust print with flat metal and learn bundling techniques to work with sculptural pieces. The class will make two tannin baths to selectively shift colour while working with binding resist. Additional immersion techniques will be taught with ferrous, tannin, and calcium. A special rust-tea bath will be used to give dramatic results on cloth. Finally students will explore the magic of an iron-reduced indigo vat. This is a very creative exploration of the transformative power of materials to create novel marks and patterns.
This workshop is designed to work for you wherever you are in the world. New content becomes available each week over the course of 8 weeks and will remain available for 3 years from the date of purchase.
Included in this workshop:
38 evocative instructional videos.
Concise written instructions and recipes along with downloadable PDFs.
Access to a robust Q&A section with instructors answering questions 3x a week.
Work with 7 unique immersion baths including indigo.
Learn a variety of binding techniques including clamp, wrap, and shaped resist.
Complete the course with a body of work exploring the remarkable patterning potential of tannins, oxides and indigo.
What do I need for this workshop?
Download the SUPPLY LIST as a PDF for TANNINS OXIDES & INDIGO
Source your own materials or get the TANNINS OXIDES & INDIGO KIT. All your tannins, indigo, reducing agents, scours, fabrics and yarns in a kit. Priced at a discount and only available to enrolled students. The easy way to prepare for this workshop. Option to purchase is sent with your registration.
What is the cancellation policy?
Please see our terms of use for our cancellation policy.
Meet your instructor:
Natalie Grambow has extensive experience in the textile arts, and a backgound in design, photography and the visual arts. For over a decade she has also established herself as an exceptional art educator and maker. She is an accredited interior designer, has worked in the architectural design field and has taught design theory.
After completing her arts degree at the University of Ottawa, Natalie studied at the École d’Impression Textile à Montréal and later travelled to Asia and Latin America, where she spent six months learning to weave with local Mayan artisans in Guatemala. Shortly after completing the Textile Arts program at Capilano College, she was awarded the BC Craft Association’s Award of Excellence.
Natalie has developed numerous courses and creative workshops. She possesses an astonishing knowledge of process and technique. She has been a core teacher at the Maiwa School of Textiles since 2004. Natalie is also a working artist. She owns her own sustainable textile design company called La Cochenille based in Roberts Creek, Canada.
Natalie works with natural and gathered materials, employing plant dyes and pigments, foraged botanicals, tannins, metal, rusts, printmaking techniques, felting and stitching. She has exhibited her work in Montreal, Vancouver and the Sunshine Coast, and has been commissioned by such clients as the City of North Vancouver. She is a founding member of the Samara Artists Collective, and has completed solo and group residencies for the Sunshine Coast Arts Council and Fibreworks Gallery.
This course is the culmination of many of Natalie’s deepest interests. It represents decades of artistic exploration into the ways time changes all materials and can play a collaborative role in the mark making process. The textural depth of her work is an echo of the beauty of materials, coupled with the hand of an artisan and the mind of a maker.